In this work, I feel the boldness of the artist Batalha in challenging classical tradition through a contemporary and almost irreverent language. The female figure of sculptural inspiration appears transfigured, adorned with unexpected elements — watches, decorative patterns, fragments that break with the original purity of form. The vibrant blue background becomes the stage for small black presences with curious eyes, almost voyeurs, that seem to ask us: what is art? Where does the classical end and the contemporary begin?
The intense red stroke at the base is like a scar or a visceral signature, a mark that imposes both energy and disruption. In the corner, the word “ART” emerges as a manifesto, reminding us that every creation is also a statement. Looking at this piece, I see not only a dialogue between past and present, but also a reflection on how the human gaze — always attentive, always judging — shapes the value and meaning of art.
This is not merely a work to be observed. It is a challenge to be felt, questioned, and absorbed. It is Batalha opening the doors to debate, with irony, critique, and an aesthetic that moves between the sacred and the profane, between tradition and rupture.







